余啟平：繪畫是一種遺憾的藝術(shù) 余啟平：繪畫是一種遺憾的藝術(shù)
余啟平：繪畫是一種遺憾的藝術(shù)
Yu Qiping was born in Nanjing, the ancient capital of the six dynasties, as a painter who grew up in this center of Chinese traditional culture, yu Qiping was influenced by the atmosphere. Red brick walls, blue tiles, mountain ridges, house after house staggered. Since his childhood, Yu Qiping has been thinking about the land where he grew up in his immature writing, which also runs through the growth and development of his entire artistic career.
余啟平生于六朝古都南京，作為在這一中國傳統(tǒng)文化中心長大的畫家，余啟平受到了這種氣息的影響。紅色的磚墻，黛色的瓦片，山形的瓦脊，一幢又一幢房子參差重疊著。從小，余啟平就在稚嫩的筆下思考著他成長的這片大地，這也貫穿于他整個藝術(shù)生涯的成長與發(fā)展。
在學(xué)生時代余啟平就以《品牛圖》、《六君子》嶄露頭角，人們雖然不難看出在當(dāng)時美術(shù)創(chuàng)作時代要求“紅、光、亮”條件下畫家在主題、題材上的拘泥，但嚴(yán)謹(jǐn)、扎實的學(xué)院教育基本功和作者的投入感還是可以清晰地觸摸到的。畫集中的《牧馬》《洛神》、《趕路》中不同程度地可以看出畫家對古人在造型、用筆上的借鑒。
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